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Eight Panasonic AG-DVX200 4K Cameras Used On Latest Sea Shepherd Antarctic Mission For “Whale Wars”

Eight Panasonic AG-DVX200 4K Cameras Used On Latest Sea Shepherd Antarctic Mission For “Whale Wars”

The large sensor camcorder was chosen by Red Apple Production producer and cinematographer Gavin Garrison and his partner, media manager Ashleigh Allam, as the main cameras to document the Sea Shepard’s eleventh Antarctic campaign, “Operation Nemesis”, for the hit show “Whale Wars”.

Animal Planet’s long running “Whale Wars” series has profiled the Sea Shepherd, with Red Apple Production joining the crew in 2012. Garrison chose the AG-DVX200 for a number of reasons, calling it “essential” in their capturing the season’s expedition. As Garrison explains:

“As a producer and cinematographer, my goal is to try to pioneer a look that keeps us relevant and engaging in today’s television market,” Garrison added. “I am eager to introduce some of the modern production technologies that have become commonplace on other productions – most notably, 4K and drones. We were able to eliminate a whole set of cameras because of the DVX200’s IR capability: ultimately we shot up to 30% of our footage in pitch black conditions, so we needed cameras on board that could handle night shoots. The camcorder’s Auto Focus system turned out to be an essential asset, as we were able to go ‘Full Auto’ as needed, especially when shooting one-handed from helicopters and on the patrol boats,” he continued. “Also, with the ability to sync time code, we were able effortlessly sync the DVX200s with our action cameras, effectively creating a multi-cam studio on the bridges of our ships.”

For more information about Red Apple Production, visit www.RedAppleProduction.com

For more information about Panasonic’s AG-DVX200, visit Pro-AV.Panasonic.net/en/dvx4k

 

Red Apple Production Shoots on Location with Sea Shepherd using Panasonic AG-DVX200 4K Large-Sensor Handheld Camcorders

NEWARK, NJ (July 31, 2017) – As production of the next round of high-profile documentary shooting for the Sea Shepherd organization approached, principal of Red Apple Production (Santa Barbara, CA) Gavin Garrison made the decision to shoot the upcoming project for the first time in 4K. His choice for this ultra-rugged assignment was Panasonic’s AG-DVX200 4K large-sensor camcorder.

Established in 1977, Sea Shepherd’s mission is to end the destruction of habitat and slaughter of wildlife in the world’s oceans in order to conserve and protect ecosystems and species. They use innovative direct-action tactics to investigate, document and take action when necessary to expose and confront illegal activities on the high seas.

Sea Shepherd has been the focus of Animal Planet’s Emmy-nominated series, Whale Wars. The series premiered in 2008 and has highlighted both the controversial whaling trade and the tactics that Sea Shepherd and its staff and volunteers use to attempt to cripple it and stop whaling in the Southern Ocean off the coast of Antarctica. Garrison joined the Red Apple filming team on Whale Wars in 2012.

Garrison and his Red Apple Production partner Ashleigh Allam recount shooting conditions with Sea Shepherd this year: 100 days at sea; shooting from helicopters, small boats, and from the bridges of the organization’s ships; shooting in pitch-black conditions; and routinely having camera operators and cameras drenched in sea water.

Red Apple Production invested in eight DVX200s specifically to be used as the main cameras following Sea Shepherd’s eleventh Antarctic campaign, “Operation Nemesis.” Garrison said that they specified the DVX200 based on its native 4K acquisition, IR filter cut on/off (facilitating night shoots), enhanced Optical Image Stabilizer, focal range, low-light performance, and compact ergonomics.

“As a producer and cinematographer, my goal is to try to pioneer a look that keeps us relevant and engaging in today’s television market,” Garrison added. “I am eager to introduce some of the modern production technologies that have become commonplace on other productions – most notably, 4K and drones.”

Red Apple’s nine-person crew joined ships in Melbourne and Tasmania in early December and sailed with Sea Shepherd to Antarctica, venturing almost twenty-five thousand miles, the equivalent of one trip around the world. The shoot continued through mid-March of this year.

Garrison said his crew hand carries all its gear. “We were able to eliminate a whole set of cameras because of the DVX200’s IR capability: ultimately we shot up to 30% of our footage in pitch black conditions, so we needed cameras on board that could handle night shoots.”

“The camcorder’s Auto Focus system turned out to be an essential asset, as we were able to go ‘Full Auto’ as needed, especially when shooting one-handed from helicopters and on the patrol boats,” he continued. “Also, with the ability to sync time code, we were able effortlessly sync the DVX200s with our action cameras, effectively creating a multi-cam studio on the bridges of our ships.”

Red Apple’s six camera operators shot UHD 23.98p, taking advantage of the DVX200’s dual codec recording to simultaneously capture FHD (1080p).

“The DVX200 was the perfect solution for our demanding and unpredictable marine-based documentary work,” Garrison noted. “The DVX200 played an essential role in capturing this season in Antarctica and exceeded our expectations at every turn.”

For more information about Red Apple Production, visit www.redappleproduction.com

All episodes of Whale Wars are available on the Animal Planet GO app which allows viewers to stream full episodes of the series on any platform.

About the AG-DVX200

The DVX200 is the first in a new generation of large-sensor, multi-format, professional camcorders capable of capturing 4K/UHD, HD, and SD, including cinematic DCI 4K 4096×2160. The camcorder is optimized for 4K/HD production, with stunning bokeh effects and a V-Log L curve (measured at 12 stops) emulating the natural grey-scale rendition of the VariCam 35. The DVX200 incorporates a newly developed 4/3” large-format MOS sensor with high sensitivity of F11, and offers variable frame-rate recording from 2fps to 120fps in 1080p mode, enhancing the camcorder’s utility in sports

and VFX production. The handheld 4K camcorder offers an array of professional features including a newly designed Leica Dicomar 4K F2.8~F4.5 zoom lens (4K/24p: 29.5 mm ~ 384.9 mm, HD: 28 mm ~ 365.3mm, 35 mm equivalent) with shallow depth-of-field, time-code in/out, 3G HD-SDI and HDMI 2.0 (4K) video outs (4:2:2 10-bit video), dual XLR audio inputs, and 10 programmable user buttons.

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